Stuart Duncan is an incredible multi-instrumentalist you may not have heard of, but his fiddle, mandolin, guitar, or banjo has graced many tunes from the late 80s to today’s hits. This tune is off his self-titled album from 1992. Duncan is known for his speed and precision, and this track doesn’t disappoint. This high-energy instrumental track, “G Forces,” blends Appalachian fiddle traditions with jazz-like improvisations.

Duncan’s journey began in childhood at Camp Pendleton, where he formed The Pendleton Pickers with other military kids. In 1974, they won a radio contest that led them to perform on the Grand Ole Opry, igniting Duncan’s passion for music and his pursuit of mastery.

On “G Forces,” Duncan is joined by an all-star lineup, including Béla Fleck, the producer for the album, and a renowned banjoist and composer known for his innovative fusion of bluegrass, jazz, and classical music. On the mandolin we hear Sam Bush, often called the father of “newgrass.” On the bass is world-renound bassist Victor Wooten, while David Grier plays the acoustic guitar. Together, these exceptional musicians elevate “G Forces” into a thrilling, genre-bending bluegrass experience.

Duncan has collaborated with many famous artists across genres, including his contributions to the iconic album O Brother, Where Art Thou?, which helped popularize bluegrass. He has worked with celebrated musicians like Alison Krauss, Vince Gill, Dolly Parton, Reba, and George Strait, showcasing his versatility in country, folk, and jazz music. His talent has made him a sought-after session musician in Nashville and beyond.

Fun Fact: In March of this year I got to see Stuart play live alongside Leland Sklar and others as they backed up the great country singer-songwriter Lyle Lovett.

Listen for: Each player’s solo. One of my favorite things about this tune is the way the song is mixed. It feels like you’re sitting in the middle of their jam session waiting for the next player to take his solo. I hear so many moments where the instruments seem to pop out and say “Hey! Listen to this!” I love the bass solo as well. Victor brings a style I wasn’t expecting to hear on a “bluegrass” style song (notice the slapping).

I hope you enjoy these masters experimenting and creating this great music!

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My name is Michael Sanchez and I’m an avid record collector and obscure song searcher. My goal is to post one song a day that’s been on my stereo/turntable frequently. If you don’t like the song… too bad 🙂 I do.

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